Monday, January 2, 2012

Obama's response to Matt Damon quotes long forgotten rock band Tool

Responding to Matt Damon's recent comments in Elle magazine that he is a one term president, amongst other criticism, President Obama pulled no punches.


"I've got some advice for you, little buddy. Before you point your finger. You should know that
I'm the man and if I'm the man, then you're the man, and he's the man as well so you can point that fuckin' finger up your ass. All you know about me is what I've sold you, dumb fuck. I sold out long before you ever even heard my name." 

Unbeknownst to anyone who did not graduate high school in the 1990s, the President, in his hostile reaction to Damon's comments had borrowed a few lines from the rock band Tool's 1996 song "Hooker with a Penis". 




Half of America In Poverty? The Facts Say It's True

Florence Owens Thompson
With everybody you know owning an iPhone or some sort of cell phone device with a screen the size of a postcard, bright enough to illuminate the entire North Pole during winter, who knew half of America was in poverty?

Written by Paul Buchheit. Published on Tuesday, December 27, 2011 by Commondreams.org  


Recent reports suggest that almost 50% of Americans are in poverty or at a "low income" level. The claim is based on a new supplemental measure by the Census Bureau that includes health care, transportation, and other essential living expenses in the poverty calculation.
The concept of "low income" is controversial. It has been defined as earnings between 100 and 199 percent of the poverty level, a claim which, if true, would place every American family making $50,000 or less at a near-poverty level.
Conservative organizations believe the whole 'poverty' issue is overblown. The Cato Institute blames LBJ and Obama for reversing a declining poverty rate. Forbes blames the calculations. The Heritage Foundation argues, "The average poor person, as defined by the government, has a living standard far higher than the public imagines...In the kitchen, the household had a refrigerator, an oven and stove, and a microwave." The case for a growing "consumption equality" is alternately defended and denied.
With emotions running high on both sides, we need to take a balanced look at the available data to determine how well the highest-earning family of the poorest 50% -- a family with a $50,000 income -- can survive. (The maximum individual income for the poorest 50% is about $30,000.)
Start with taxes. It is frequently noted by conservatives that the richest 1% pay most of the federal income taxes, and indeed they paid about 37 percent in 2009, more than the poorest 90% of Americans. But only the richest 5% of Americans have experienced income growth since 1980. And during that time, their tax rate has dropped from 34% to 23%. As for the 3 percent rate paid by the poorest 50%, the Tax Policy Center sums it up nicely: "The basic structure of the income tax simply exempts subsistence levels of income from tax."
More relevant to the poverty issue is that federal income tax is only a small part of the tax expense for lower-income families. According to a study by The Institute on Taxation and Economic Policy, the poorest 50% paid about 10 percent of their incomes in state and local taxes (the richest 1% paid 5 percent). Congressional Budget Office (CBO) figures reveal that the bottom 50% pays about 9 percent of their incomes toward social security (the top 1% pays just under 2 percent). CBO also shows that the bottom 50% is paying about 2 percent of their incomes on excise taxes, a negligible expense for the people at the top. Another year of Bush tax cuts will chop another 1-2 percent off the taxes of the very rich.
So total taxes for the poorest 50% are 24 percent of their incomes (3% + 10% + 9% + 2%), as compared to 29 percent for the richest 1% (23% + 5% + 2% - 1%).
Other significant expenses for low-income people, based on the most conservative estimates from the Bureau of Labor Statistics, the Census Bureau, the National Center for Children in Poverty, the Carsey Institute, and the Economic Policy Institute, include food (10%), housing (27%), transportation (6%), health care (5%), child care (8%), and household expenditures (5%). Expenses for insurance and savings and entertainment, although important to most households, are not being included here.
Energy costs hit low-income families especially hard, taking about 20% of their incomes. At the $50,000 income level the burden is closer to 12%, as generally agreed upon by the Bureau of Labor Statistics, the Coalition for Clean Coal Electricity, the Department of Housing and Urban Development, and the American Gas Association.
Total expenses for the richest family in the bottom half of America?
  • 24% taxes
  • 27% housing
  • 34% food, health care, child care, transportation, household needs
  • 12% energy
That's 97% of their income. The richest family among 70,000,000 households is left with just $1,500 for a car, appliances, a TV, a cell phone, a loan repayment, an occasional night out. It comes to $30 a week, barely enough to take the family out for a pizza.
Critics bemoan the amounts of aid being lavished on lower-income Americans, making dubious claims about $16,800 in government funds going to every poor family and families with $90,000 incomes being classified as "near poor."
The fact is that only 4,375,000 families (out of 70,000,000 in the bottom half) received Temporary Assistance for Needy Families (TANF) in 2010, for a total expense of about $36 billion. Current federal budgets include about $350 billion for food, housing, and traditional 'welfare' programs for needy children, elderly care, and energy assistance. This averages out to about $400 per month per family.
Another fact is that earnings have remained flat for most people while productivity has grown 80% since 1980. If a $50,000 family had received a fair share from their contribution to America's growth, they'd be making $90,000, and they wouldn't need a dime from government.
Conservatives complain about the TVs and refrigerators owned by low-income people. But it's the height of insensitivity to admonish people who are trying to survive in a perversely unequal society.

Sunday, October 9, 2011

Only two good things came out of Houston: D.R.I. and Bill Hicks

And they both did, not only an excellent job at exposing American hypocrisy through their art, but made an everlasting impact. How many hardcore and thrash bands tried to sound like D.R.I. in the late 80s and into the 90s? How many stand-up comedians would sell their kids into slavery to have just a morsel of Bill Hick's talent?


Thursday, September 29, 2011

Chuck D visits Long Island hip hop landmarks...

Anybody who knows anything about the development of hip hop in the early 80s knows cats like Spectrum City (comprised of Hank Shocklee, Keith Shocklee, and Chuck D) out in Roosevelt were making just as much noise as cats in the city. Staring in 1979 as a Long Island mobile DJ unit, Spectrum City later released one twelve inch in 1984 called "Lies/Check Out the Radio".



Here is a priceless story of Spectrum City - http://citinite.wordpress.com/2008/01/23/spectrum-city/

Also, check out Chuck D as he drives around his old stomping grounds:

Sunday, August 28, 2011

The Clash - This is Radio Clash/Combat Rock

Back in 1981, Blondie's "Rapture" was the first record by a new wave or punk band to pay homage to the underground emerging hip hop scene that had recently traveled downtown after developing in the desolate poverty jungle of the Bronx the previous decade. Unlike Blondie's attempt a year earlier, The Clash's Combat Rock is not a novelty. If one wants to be cynical enough, Blondie's "Rapture" was intended to be a one-off, a way to cash in before the hip hop fad that briefly caught the attention of the country after the release of "Rapper's Delight" in 79' disappeared. On the other hand, Combat Rock is a record often inspired by New York hip hop. Even though "Know Your Rights" is a straight away political punk song, it conjures up a pathos of an angry and indignant kid riding on the subway, feeling the injustice of the world being carried on her shoulders. Combat Rock is a political record. There is no political insight found on Blondie's "Rapture". It's really just about partying and the glitz and mystique yuppies like Debbie Harry an Chris Stein found in the city. The name dropping of Fab Five Freddy, who was also made a cameo in the video along with his graffiti colleague, Lee Quinones, assures Blondie has credibility, but nonetheless, on Combat Rock, with the exception of Futura 2000's appearance on "Overpowered by the Funk", nobody is rapping. And yet,  most songs on Combat Rock are a million times more hip hop than "Rapture". What makes Combat Rock, in a sense, a hip hop record, has much to do with diverse influences that inspired The Clash, very similar to the eclectic choice of records that Kool Herc, Flash, Bambaataa, and Grandwizzard Theodore spun during hip hop's earliest days back in the 70s.

In hindsight, Combat Rock predicted that hip hop would not be just a quick fad. The greatest thing about Joe Strummer was his sincere belief in the power of music. The video for "This is Radio Clash" capture's Strummer's spirit. Despite The Clash's inner-dysfunction, an experience most innovative bands go through, Strummer's spirit was infectious to the rest of the band. It is this spirit that allowed Combat Rock to be an authentic and genuine creation, a document of inner-city counterculture during the late 70s and early 80s, whether it was in London or New York. Blondie's "Rapture" is disposable in comparison.




Friday, July 8, 2011

Smoothe Da Huster/Trigger the Gambler - Broken Language

When I use to take the LIRR from Atlantic Ave in Brooklyn out to Long Island, I would have this cut playing on my iPod. And that's because when then the train would pull into and past the East New York Station, not to far away, a slight turn to the northeast was Brownsville, the stomping grounds of Smoothe da Huster and Trigger tha Gambler. They wrote offensively clever lyrics at a time (1995) when most people would feel uncomfortable with a black guy saying he was the neighborhood crack supplier and white girl gang banger. Unfortunately, sixteen years later,  the world has forgotten these Brownsville wordsmiths and believes Lil' Wayne should be appointed the Poet Laureate.